One to one-hundred-and-ten pages

I went on an excursion to Bristol to visit a friend. From Pads, it's about ninety minutes, so I left the laptop at home and took the hard drive (for TV catch-up) and the iPhone. I do my best writing on trains. But would that hold true without keys beneath my fingers and the ability to do more than one thing at a time? Turned out pretty well. I opened up my scripts in Celtx and fiddled about with them - the major downside was not being able to copy and paste long sequences, as I overhauled my final fight scene in Steampunk Assassins. I also looked up an old draft of the script using Dropbox to see if I still had an old scene that may get reworked into the finale sequence. The other project I worked on was my entry for the Laugh A Minute competition, which is inspired by Lucy V's call for sex. Unfortunately, nobody actually has sex, but...
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Plot on the go

Inspiration is unpredictable. And often inconvenient in timing. I've gone through phases on how I record my lightning-bolt moments. Until recently, I used to carry a notebook in my bag to scrawl down whatever came into my head - the "rewrite" of Steampunk Assassins took place on a train (naturally) with a bunch of papers tied together with red ribbon. When I was younger, I had a Dictaphone. I would write poetry and flash-fiction on it, record random plot ideas and sing songs into it. My co-writer and I once sat down all afternoon with it and recorded a lengthy discussion on how best to play out our magnum opus (as yet unwritten - ah, teen spirits!). I also had a mini-computer, which did me very well - until I tried to use in on a coach and it careered into the window, smashing the screen. My PDA was bought for work purposes but was also appropriated for plotting and writing. Now, I have...
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